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commercial_callbacks_part2

Commercial Audition Callbacks, Part 2

There are dozens of audition technique tips I have given in previous articles and can be found on my partner page on Master TalentTeachers.com that would be really beneficial but right now the most valuable information I can offer to help you to do your best callbacks is offer some insights on Commercial Callback Anxiety.

Commercial auditions can be challenging for actors but callbacks are a cause of anxiety for most. The pressure is on because the decisions-makers are in the room, you know that everything little thing you do is being carefully judged, changes of direction are sometimes made at the last minute giving actors very little time to be secure with the adjustments, the money that you can make if you booked the commercial is often needed, and because it is a callback, the pressure you put on yourself to do well can be problematic.

Every audition especially callbacks are a precious opportunity to work, make money, create contacts and fans and move a career forward. When actors fixate on these expectations before auditioning, it normally creates anxiety and pressure. Don’t focus on disempowering thoughts and questions, such as:

Did I wear the right outfit? Maybe I should have done something different with my hair. Did I work on the material enough? I hope they don’t notice that my skin is broken out. How many people will I be auditioning for? Who are they? Will they direct me before I read? What will they ask me? What should I ask them? Will they think I am physically right for the role? I wonder if the reader is going to be any good? I haven’t seen this CD for a few months – maybe she doesn’t like my work. How will I do? Will they re-direct my reading? Am I right for the role? What will they think about my audition?

Many of these thoughts flash quickly through almost every actor’s mind and especially those who are new. These are the same types of concerns that people usually have interviewing for any job. At callbacks, because the stakes are raised, the concerns get more intense for most. Actors who are unfazed at the initial audition often have callback anxiety. Now, the thoughts are

They must like me; now the pressure is really on. It’s only betweena few others and me; I have to be great. Will my agent (or manager) dump me if I don’t book this job? What did I do that made them call me back? I really need the money. My competition must be good. I hope I don’t “blow it” now. And so on.

This “brain-noise” is normal. How you deal with your questions, concerns and expectations will determine how much power those thoughts have. You must learn how to alleviate, use or quiet them, or they will take their toll on your work. I know great actors who can’t get out of their heads at interviews (and refuse to do anything about it), and their work suffers. I also know less talented ones who shine because they have very little “noise” and are excited to be auditioning.
What you think influences how you feel, and how you feel impacts your audition. With time and experience, actors usually figure out how to alleviate the self-imposed stress. In the meantime, work on your audition anxieties whether it is with self-help books, hypnosis, audition classes, coaching, therapy, talking with friends or teachers and/or developing a sense of humor about your disempowering thoughts – the sooner the better.

SUGGESTION: What you think produces feelings. The feelings are real but the thoughts you created are not real. So be careful what you are saying to yourself.

For additional insights and tips, check out my book Hit The Ground Running @ www.hitthegroundrunningbook.com and for more information on Commercial Acting Classes: http://carolynebarry.com/workshops/commercial/

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Commercial_Callbacks_part-1

Commercial Audition Callbacks, Part 1

DEAL WITH CALLBACK ANXIETY and BOOK COMMERCIALS There are dozens of audition technique tips I have given in previous articles and can be found on my partner page on Master TalentTeachers.com that would be really beneficial but right now the most valuable information I can offer to help you to do your best callbacks is Read the Rest…

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GETTING THE JOB – a Magic Tool for Success

By: Gerry Katzman If someone gives you a job, and you want them to hire you again, there is a under-utilized tool that will increase the probability by 50%. This same tool, can turn someone who hates you into a fan.  Let me share two examples: Example #1: One of my students was recently booked for a Read the Rest…

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Book TV Commercials

You Are the Character By: Carolyne Barry Actors are trained to play characters. From when you first began to train, the focus was on developing and being true to the character. With theater, film and television work, the actor’s responsibility is to bring them to life. I believe it is different for commercials. Commercials are Read the Rest…

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Actors Must Always Be True to Your Impulses

By Diane Christiansen When we were kids, we acted on our impulses all the time. We wanted what we wanted and we wanted it NOW! Anyone or anything that got in the way had better be ready for a temper tantrum. But the grown-ups didn’t like that at all. They told us we had to Read the Rest…

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Broadening Your Casting Range with Original Scene Production

Create Your Reel – Broadening Your Casting with Original Scene Production

This video from Create Your Reel discusses the importance of broadening your casting range with original scene production.

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CYR_show_your_range

Create Your Reel: Using a Demo Reel to Show Off Your Range

In this video by Create Your Reel, Retta Putignano talks about the importance of having a demo reel that shows off an actors range.

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Stage_to_Screen_Part-2

Acting: From Stage to Screen – Part 2

Working your Internal Life with “Intentional Energy” Acting is the ability to believe in an event as if it’s happening now. In film and television, it’s particularly crucial that the acting feels like it’s occurring for the first time. This is true, no matter how many takes are needed to complete the job; acting requires Read the Rest…

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from_Stage_to_Screen

Stage to Screen Acting

For years I’ve been coaching talented theatre actors as they make the transition from stage to film and television acting. It seems the distinction between stage and film acting has become an obsession for actors who want to make the leap! The ability to adapt between the two has undeniably become an extremely important skill Read the Rest…

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booking commercial auditions

Insider Casting Tips to do Your Best Auditions – Part 2

The Audition Room Inside the Audition Room is where all your training as an actor and your preparation come together so that you can do your best and hopefully book the job – OR NOT. What the heck happens in there that often inhibits us from doing our best? The following audition pointers were formulated Read the Rest…

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