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Do Your Best Commercial Auditions

Insider Casting Tips to do Your Best Auditions – The Waiting Room

No matter how good of an actor you are or how well you have prepared, once you enter the waiting area and then the audition room, if you don’t know how to “be” in that war zone then your audition work could suffer. Sitting in the holding area with a dozen or more actors, waiting up to an hour or being rushed in with little or no preparation and sometimes getting confusing direction can be very disconcerting and are not usually conducive to actors’ doing their best. Here are several actions that can be taken to help you feel confident, prepared and empowered.

Arrive early: Never be late or even on time because you won’t have options if the session is running on schedule. Be early so you can get settled and focused and have time to adjust your hair, makeup and/or wardrobe, and prepare the audition material. When you are early, you have options.

Ask questions: When you need clarification on the material or what is expected, ask the assistant who is supervising the sign-ins in the waiting area so that you can get the most from your preparation. If you are not sure how to pronounce a word or the product name, ask. If something doesn’t make sense, ask. It’s better to ask questions before rehearsing than to get corrections from the session director in the audition room and have to adjust your work right before auditioning.

Find Out the “Tone”: Every commercial has a style or “tone” that should be factored into the preparation. You might get answers like natural, comedic, quirky, over-the-top, fun/playful,serious, warm, upscale, authoritative, vulnerable, earthy, edgy, over-the-top, understated, etc.

Do your audition preparation: If you haven’t obtained your copy in advance, do your preparation: investigate, motivate, and find your connection and interpretation. If you did receive the copy and worked on it in advance, review your choices and work on your connection. Find a place where you can rehearse in a full voice.

Rehearse with your partner: When you are doing scene auditions, either the casting assistant will assign you a partner(s) or you should check the sign-in list and determine the actor(s) with whom you will probably be paired. This is especially valuable when auditioning with children. Rehearse with your partner(s) or, if there is no dialogue, spend time getting comfortable with them.

Work on several interpretations: Locking in only one way of doing an audition can be problematic. First, it usually creates a fairly shallow interpretation. Second, if the session operator wants a different approach, it can be hard to shake the work you have locked in. Finally, if asked to do the copy or scenario a second or third way, you won’t have it. Work on several approaches.

Deal with your nerves: Every audition is a precious opportunity to work, make money, create contacts and fans and move a career forward. When actors fixate on these expectations before auditioning, it normally creates anxiety and pressure. Don’t focus on disempowering thoughts and questions This “noise” is normal. How you deal with your questions, concerns and expectations will determine how much power those thoughts have. What you think influences how you feel, and how you feel impacts your audition.

Stay relaxed and focused: After you have done a thorough preparation and while you wait, don’t continually run your lines and review your choices, either out loud or in your head. It’s been my experience that when actors do this, they create anxiety and make themselves insecure. Don’t let the frustration of having to wait negatively affect your mood, energy or mind-set. Do whatever works to keep you focused, confident and positive, e.g., meditate, sit quietly, read, laugh, walk around by yourself, etc. Don’t chat with other actors unless
rehearsing or getting comfortable with them. When you know that you will be next, review your choices, lines, objectives, motivations, etc. – but only once or twice more.

Energize and prepare to commit to your choices and instincts and to enjoy the audition. It’s your time to be an actor.

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Insider Tips for Doing Your Best Commercial Auditions – Part 1

Commercial auditions are challenging for most actors. Audition material or scenarios are at the most 20 seconds, which means you need to be up to speed right away. No time to get into the material. You are only in the audition room, on an average of 5 minutes. Just a few minutes to get comfortable, Read the Rest…

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Interview with Carol Goldwasser part 3

Interview with CD Carol Goldwasser, Part 3

This is the final installment of my 3 part “In the Moment” interview with Award Winning Disney casting Director, Miss Carol Goldwasser. The wonderful thing about Carol’s insights in this interview that separate her from others, is her realistic approach to working with and getting the most from child actors. Not that her comments aren’t Read the Rest…

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Interview with Carol Goldwasser Part 2

Interview with CD Carol Goldwasser, Part 2

After 22 years of teaching and an equal number of years working in the Entertainment Industry, I thought I knew quite a bit about casting. Additionally, we have guest CD’s in for our monthly casting director workshop, Actors Platform, at our studios and we learn a tremendous amount about what goes on in the audition Read the Rest…

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Interview with Carol Goldwasser

In the Moment: Interview with Children’s Network Casting Director Carol Goldwasser

Have you ever wanted to know the ins and outs of casting Children’s TV, such as Disney or Nickelodeon shows? Well, you’ve come to the right place, because today we have the Award Winning casting director, Carol Goldwasser, here for Part I of an interview with me, Diane Christiansen, exclusively for Master Talent Teachers. Carol’s Read the Rest…

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Kimberly_Jentzen-The_power_of_Listening

Acting – The Power and Magic of Listening

Kimberly Jentzen presents a new and dynamic series: The Power and Magic of Listening, Part One. The following is an excerpt from her newly released book, Acting with Impact: Power Tools to Ignite the Actor’s Performance. POWER TOOL: LISTENING LISTENING IS WHERE THE MAGIC LIVES Listening is opening up and hearing with not only your Read the Rest…

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walking into the Audition Room

Walking Into The Audition Room

The audition begins for the viewers when the actor walks into the audition room. That first impression of the actor can determine whether the viewers want to take 3 minutes to read the actor – or not. They want to see a confident actor who is focused, prepared, and ready for the audition. They want Read the Rest…

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Reading For Studio Executives: Auditioning For a Series Regular Role on Television

When the Producers decide that they want to take you over to read for the Studio Executives, you first have to make a “test” deal before you are allowed to read for them. This happens because the Studio wants to know how much you will cost before they “buy” you. The Casting Director calls your Read the Rest…

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Joe Tremaine

Audition and Move On!

Auditions are the mainstay of the way performers get jobs. I know many people dislike auditions, but they are “the way business is done.” You have to show what you can do – “Show me what ya got kid!” Preparation: A performer should be ready to audition at a moments notice! You should be in Read the Rest…

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5 Reasons You Wont Book the Commercial

Why You Won’t Book the Commercial

Even when you did a great audition I am sure you have wanted to know why or why not you do not book Commercials when you feel you have done a great audition (and even when those running the session have let you know you did a great audition). , You might get an avail Read the Rest…

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