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Actors Writing Their Own Material

Actors Writing Your own Material

The biggest mistake most actors make is leaving it to their agent to establish a career for him or her. Then there is the smaller percentage of go-getters who know very well that the agent is only responsible for 10 percent of their work – so they create or write their own opportunities. This way they can have much more of a say in what they actually want to “design” in terms of their creative participation and ultimate success.


This goes all the way back to the days of Charlie Chaplin in the 1920s and Mae West in the 1930s, when they were the most powerful people in Hollywood at the time. Mae West was considered very risqué in her day but she didn’t need permission from anyone to do “anything” she wanted.

Some other standouts who have created star making vehicles for themselves are Woody Allen, Steve Martin, Billy Crystal, Adam Sandler, Will Ferrell, Ben Stiller, Seth Rogen and Jason Segel – to name just a few. Every heard of any of these guys?? Seriously, who else would have made Woody Allen a movie star but Woody Allen?! He created a brilliant way to do whatever he darn well pleases and not have to answer to anyone – ever. With complete creative control, Woody still makes one movie a year. And the good news to all “maturing talent” in show biz – is that some of his latest masterpieces like “Midnight in Paris” and “Blue Jasmine” – are amongst his best work in his 40-something year career.

Fortunately, female writer/performers have finally burst into the “Hollywood Big Guns” scene in a fierce way, starring in film and television gems they have created for themselves and the people they want to PLAY with. Tina Fey established herself mightily as the first female Head Writer for Saturday Night Life, which helped pave the way for Loren Michaels to produce the big hit she penned (and also co-starred in) – the clever box office champ, “Mean Girls”. The next thing you know, she is writing, producing and starring in the highly acclaimed and award winning “30 Rock.” Then more movies… Plus co-hosting the Golden Globes with another female dynamo – Amy Poehler.

Kristen Wiig parlayed her hilarious (and brilliantly written) romps on SNL into the hysterically funny “Bridesmaids”, which turned out to a huge hit! And you’re never too young to get started. Lena Dunham was 19 and 20 years old when she wrote, directed and starred in some award winning short films, which then paved the way for her enormous success as writer, star and often time director of the brilliant series “Girls” on HBO.

You might be saying, “But I’m not a writer.” My answer to that is, “How do you know? Nobody is a writer until they write something!” I have three thriving mastermind groups and I would say that nine out of the ten people in each of my groups are either former or current actors who want to create their own opportunities.

Across the board, I have found that actors are most often brilliant writers because you are very sensitive people and you are keenly interested in human behavior. Plus you have a deep desire to be freely expressed and you have a great imagination that you like to “use”. You love to observe people and emulate interesting behavior. You dive deep and you’re passionate people. These are all qualities of a great writer!

So, my goal here is to plant some seeds so that you’ll be inspired to create your own “ticket to ride”… And it’s never been a better time in the history of show business to do that. Because of the Internet and social media – as well as advancements in technology – you can now buy quality video cameras that create beautiful high definition for very little expense. Plus, if you are fortunate enough to have a Mac or more advance PC with editing capabilities, you can shoot, star in and edit your own short (or full length) films, web series, talk shows, sketches and stand-up comedy highlights. And then gain an entire fan base on You Tube with your own channel! It’s so much easier now to create and edit your own masterpieces, than what was available to the average person just a few years ago… The possibilities to create and share your unique expression – is ENDLESS.

Now it’s time to ask yourself seven questions:

  1. What is unique or outstanding about me that I can enjoy sharing for my own and others entertainment?
  2. What subjects fascinate me?
  3. What characters do I want to explore, dive into, behave like or interact with?
  4. What ironies of Life would I like to contemplate and find humor in?
  5. What quirks or personal flaws do I have that I can have some FUN with?
  6. What strengths or expertise do I have that I can inspire or entertain others with?
  7. Who are the people that I would like to create and PLAY with?

PLEASE NOTE: It’s so important to align yourself with other creative comrades whose talent you admire and whose company you enjoy, so that you can inspire and motivate each other while you create something fabulous together. If you look at the stars I talked about earlier, whether it be Will Ferrell, Ben Stiller or Jason Segel, they keep playing with the same cast of characters! They keep making movies together and they have a ball doing it. They also have a better chance of success when they band together and so will you.

In the next video, I’ll share more great tips about how to create your own opportunities with more information about web series, YouTube and the best equipment for the lowest price.

And I encourage you take advantage of the wealth of information available to you on MasterTalentTeachers.com. It will greatly support you in all this.

For more information about Minda Burr’s Writing Mastermind Groups and Private Coaching go to: www.mbwritingworkshop.com or Call: 310-923-2726

Mic Technique

Microphone Technique for Speakers, Performers and Entertainers

At some point in your life, you either have been, or will be, called upon to deliver a speech using a microphone – but do you know the fundamentals of how these devices work?

Watch the video to get a nuanced look on how to make the most of your time at the mic.

Here are some pointers:

  1. Speak directly down into, and through the microphone – the sound of your voice will almost never be picked up around the edges.
  2. Keep a 1.5″ to 3″ gap between your mouth and the microphone. If the mic is too close, your plosive sounds like ‘P’s’ and ‘B’s’ will create “pops”. If the mic is too far away, we won’t hear you.
  3. Microphone feedback is what happens when the sound from the speaker enters the microphone, exits the speaker, and then enters the microphone again, creating a high-pitched, squealing “feedback loop”.

    To avoid feedback, try never to point the microphone head directly at a speaker and avoid walking in front of speakers when you’re holding the mic.

  4. Let the microphone follow your mouth wherever you go.
  5. To correctly adjust a microphone stand- loosen the adjustable clutch in the center of the stand by turning it slightly to the left, then lift the microphone upwards so that the head of the mic is close enough to touch your chin, and then re-tighten the clutch by turning it to the right.

For more tips, tricks, and techniques about microphones and other aspects of speaking, performance, and comedy please sign up for Gerry’s newsletter at www.standupcomedyclass.com

Director Jay Roach

Emmy-winning Austin Powers director Jay Roach on Comedy and Directing

Here are some lessons derived from Gerry Katzman’s (www.standupcomedyclass.com) interview with director Jay Roach (“Meet The Parents”, “Campaign”, “Austin Powers”)


Lesson #1 – Everyone is afraid. Just because someone can successfully direct Zach Galifianakis, Mike Myers and Will Ferrel doesn’t mean he has faith in his own comedic ability.  Says Roach: “I’m not funny… When I walked up at the podium, I just hoped I wouldn’t start gushing sweat and blubbering because I really do have actually horrible stage-fright. it’s not healthy.” 

Lesson #2 – The only person who gets to decide whether you “have what it takes” is YOU. “You do not have to be funny or good at speaking to direct, thank goodness” added Roach.

 Lesson #3- Surround yourself with the best.

Lesson #4- Balance.  According to Roach, comedy direction is about creating a free, uninhibited atmosphere while the camera is rolling- while being analytical, obsessive, and painstaking while you prepare your next shot. 

Lesson #5- Work hard enough to earn your lucky break. Jay didn’t get to direct “Austin Powers” (his first feature film) until after he was 40 and had been working for years at every conceivable job in the entertainment industry.  But when Mike Myers asked him to take on the job of a lifetime, he was ready. 

Lesson #6- Success doesn’t look how you think it will.  Sometimes your dream job comes later in life than you had imagined it would.  Sometimes Emmy-winners have stage-fright. And sometimes, the world’s best comedy directors don’t think they’re funny. 

For more great information visit www.StandupComedyClass.com and join our newsletter. Thanks!

How to be Great in a Meeting

Award-winning comedy coach, actor, and comedian Gerry Katzman gives valuable tools and secrets about how to pitch yourself and be great in an interview or industry meeting…

In any business, your results are usually dependent on how well you perform in a meeting. Getting the job, the raise, the contract or the sale is almost alway contingent on how well you are able to sell yourself or your product.

This video will show you how to talk about yourself in such way that you cannot fail to get people excited, eager, and hungry to work with you. 

After decades of preparing myself and others for high-level industry meetings, I have found three important questions which, if answered, will prepare you to shine like a star in any presentation, meeting, conference or audition. 

Knowing and practicing the answers to these three questions will enable you to talk about yourself masterfully.   They’ll also add focus and drive to your career.

Question #1: Who are you like? 

Name 5 successful artists/people/businesses in your field that you are similar to.  Who do people compare you to?  Whether the resemblance is physical, personality, or just an intangible essence- who are you like? 

People cannot spread the word about something unless they have some reference-points that will help other people understand it.  

What are 5 successful examples of people (bands, artists, businesses) in your field that have something in common with you?

“As a comedic actor I’m like Ben Stiller meets Jason Schwartzman meets Adam Sandler meets Josh Radnor meets Paul Rudd. ”

“Our band sounds like the Beatles meet Daft Punk”

“Her comedy feels like Ellen Degeneres and Woody Allen had a baby.”

“Our restaurant is the McDonald’s of Greek Food.”

Right now, try to write down your 5 examples.  You may need to call friends for help.  

Question #2: What do you want and who are the gatekeepers?

Write the three goals you want to achieve in your career this year and who you need meet with to attain them. Be specific.  For example, actors- is your dream job on TV, Film, Web or Theater?  Comedy or Drama?  Single-Camera or Multi-Camera? Which shows exactly?  Who are the casting people?  Decide.

“If you don’t know where you are going, you’ll end up someplace else.” -Yogi Berra

Question #3: Why are you doing this/ What is your inspiration?

Why do you love what you do?  When did you fall in love with your art, craft, or business?  How long have you cared about it?  Why is it important to you?  

People want to work with people who are passionate. 

How can you show your passion? Learn to talk about it.  

Conclusion:

Answer these questions at home.  Then, have a friend read you the questions and get comfortable answering them in front of another person.  Knowing how to talk about yourself, how to pitch your business- could be one of the most high impact activities that you can do. Start by knowing the answers to these three questions.  The results (clarity, focus, confidence, and purpose) should be satisfying and immediate. 

Please share your thoughts with me and sign up for my newsletter at http://www.standupcomedyclass.com/

Gerry Katzman

IN CASE OF EMERGENCY – What to do when you feel like giving up

by: Gerry Katzman

There comes a time in everyone’s path when the road ahead seems long, and we wonder if it’s really worth going forward. A time where we’ve heard the word “no” so many times that we’ve forgotten what it sounds like to hear “yes”. Where the only thing you can see is the areas that you fall short and the difficulties in your way.  This is usually them moment right before something great is going to happen, but the only way you’ll live to see that moment is if you stay in the game and keep yourself inspired.  The following technique has worked for my students and I, and it can help get you out of any rut and back onto the road of success. 

Tip #1 Reconnect to your dream. 

If you start to feel discouraged- ask yourself (and answer) the following questions:

When do you remember first deciding that you wanted to become a performer, artist, etc.?  What were your first inspirations? What were the things (albums, performances, etc.) that got you excited? It doesn’t matter how silly they are- they could be cartoons, kids’ shows, movies, commercial jingles- but something, no matter how silly it seems now, lit you up inside.. What was it?

Tip #2 Connect to the feelings.

Describe in writing or recollect out loud what it was that inspired you to try your hand at this profession. Describe in detail what it was that you saw, felt, and experienced that motivated you to get involved. Recall your first fun experiences when you got started in this craft- what made those early performances or experiences so delightful?

Tip #3 Go back to your roots.

As you feel your inspiration start to grow, go back to some of the source material. If a certain album or movie (no matter how silly or bad it may now seem) inspired you, find it online and listen to it or watch it.

Go back to the seeds of your inspiration. Warm yourself from the fire that first sparked your heart. Going back, understanding and reconnecting to your original reasons and purposes can provide some of the valuable inspiration we need to get through the temporary doldrums in any career.

For more tips, sign up for my newsletter at www.Standupcomedyclass.com

Remember, you’re just one action away from changing the world with your art- make a move, make a difference! -GERRY KATZMAN

How to Write a Comedy Song – Part II

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How to Write a Funny Song: Musical Comedy Creation Video

One of the wonderful things about comedy is that your funny ideas are limited only by your imagination.  In your standup routines or sketches, the President of the United States can belt out opera, Disney Princesses can rap, and Jennifer Lopez can actually sing..

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