Tag Archives: commercial classes
video_Who_Books_Commercials

Who Books Commercials and Why?

Once you have done your callback and leave that is when the director, agency execs, producer and maybe someone representing the client start the process of selecting who will book the job – whether they are in the room or via a video feed. I am sure you have wondered how the final selection is made: what is considered, the politics, who has the decision making power and what happens during those few days you are waiting to see if you booked the job. Continue Reading →

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Commercial Improv

Improvisation Training: Vital to an Actor’s Career

When actors interview with me before taking my commercial class, I always suggest that they the take a workshop either before, during or immediately after they take a commercial class. Improv will help actors to get more Commercial auditions and is a major factor in doing better auditions and, I believe, is crucial to a Read the Rest…

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Commercials: solo dialogue

Audition Tips for TV Commercials – Solo Dialogue to the Camera

A challenge with monologue dialogue commercials auditions is how to truthfully start speaking. With 10, 20 or 25-second copy, there is no time to work into it. You must be connected at the beginning otherwise those viewing your audition may lose interest and fast forward to the next actor. I believe that when you use Read the Rest…

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commercial_insider_tips_1

Insider Tips for Doing Your Best Commercial Auditions – Part 1

Commercial auditions are challenging for most actors. Audition material or scenarios are at the most 20 seconds, which means you need to be up to speed right away. No time to get into the material. You are only in the audition room, on an average of 5 minutes. Just a few minutes to get comfortable, Read the Rest…

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Look Before You Leap into Commercial Auditions

Look Before You Leap Into Commercial Auditions

When I interview people before taking my classes, so many tell me that they have been told to start their acting careers by training for commercials. I would like to silence all those who are perpetuating this disempowering misconception. They are destroying acting careers before they even start. But I do understand that when most Read the Rest…

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Commercial_Submissions

Commercial Representation – Submissions

In major markets, there are hundreds of agents. Attaining legitimate representation for commercials is usually rather involved so it important to choose the agents you wish to target and research them: •      In major markets buy updated books that list and describe agents and managers (In Los Angeles, these books are sold at Samuel French Read the Rest…

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Four Reasons Actors Book Commercials

By: Carolyne Barry You get a commercial callback. Ten to twenty-five actors up for the same role as you. You do a great job and don’t get booked or you do a “so-so” job and you get the commercial. Rather confusing, right? You have to ask yourself what is going on in the minds of Read the Rest…

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Spending Money on Mastering Your Craft

by: Carolyne Barry One of the more challenging realities of becoming an actor is that it can and will get expensive. The cost of classes, pictures, marketing, demo reels, scripts, theater company dues and union initiation fees and dues, showcases, etc. etc., etc. adds up big time. Even participating in graduate films and small theater Read the Rest…

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Commercial Agent Meetings

You have submitted your photo, resume and a succinct and engaging cover letter to several commercials agents and you have interest from one or more who have set-up meetings, -now what. How do you prepare so you will have a great interview?

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Acting or Scene Study Classes – What’s the Difference?

By: Carolyne Barry It is important to understand the differences between “Acting Classes” and “Scene Study”? Up until recently, because I never really thought about it, I believed they were synonymous. Even the dictionary does not differentiate. But after researching the concept, I now know there is a big difference and you should to. I Read the Rest…

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