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Diane Christiansen Kids & Teens

Fall in Love With the Process of Becoming Great

By Master Acting Teacher ~ Diane Christiansen

Why did you become an actor?  This is the all-important question.  It is a question worth revisiting from time to time in order to remind ourselves of our purpose as actors.  We do not do this for fame or fortune, for acknowledgment or accolades, or for other people.  We just want to be great actors.  Of course we all know great acting when we see it, but what does it mean to be a great actor?  And no, you’re not allowed to just shout out, “Meryl Streep,” without thinking about it!  A great teacher and casting director once told me that the best performances boil down to two simple questions: “Do I believe this person?” and “Do I care?”  Be sincere and be committed.  That’s it.  Simple enough to understand, but not so easy to deliver.  In order to deliver greatness, we must dedicate ourselves to the process of accomplishing sincerity and commitment in every performance, as well as in every day of our lives.  One without the other will invariably fall short of the mark.  Imagine believing an actor’s performance, but not being moved in any way.  Perhaps the level of commitment to a chosen action is not strong enough to stir your emotion.  Alternately, imagine it’s not for lack of a strong or committed choice that the performance falls flat, but rather lack of sincerity in that choice.  Perhaps the action is forced and contrived instead of occurring organically in the moment. 

Naturally, it’s easy to talk about the importance of sincerity and commitment in our work, but these tasks become especially difficult to accomplish given the fabricated worlds we live in on a set or on a stage.  Well my friends, here is the Holy Grail: We want to do great work and to be great actors, but focusing solely on being great is missing the mark.  The process is the prize. Greatness is merely the product of faithful dedication to process.  Falling in love with the process is like choosing to do long division over rote memorization or using a calculator.  It’s more challenging, but you can clearly tell whether a person really knows what they’re doing.  Like watching Meryl Streep.  So if you want to be great, then forget about greatness and dedicate yourself to the process of being sincere and committed in every role.  Do the work it takes to get you there.  Research.  Train.  Feel.  Observe.  Study.  Practice.  Recall.  Experience.  Develop a process that works for you so that you may fall in love with it, and in so doing, discover your own greatness.  

Booking TV Commercials

How does one book TV Commercials? Well, you’ve got to start with training and become a good actor! Master Talent Teacher Carolyne Barry has compiled this video to help take you through the process.

3 Tips For Comedy Writers – with late-night television writer Dicky Eagan

When it comes to writing for late-night, Dicky Eagan knows what it takes.  In this video, the head writer of “Last Call with Carson Daly,” who has also written for “Lopez Tonight,” “The Wayne Brady Show” and many others, gives away 3 powerful secrets to having a successful career in comedy, in writing and in any part of the entertainment field.

Tip #1) Surround yourself with people who are good at what you do.  

If you want to get better, then hang around people who are even better than you are at your chosen field – they will challenge you and as a result, you will improve.

Tip #2) Get specific with your goals.  

Don’t just say “I want to be a writer.” Imagine and envision exactly what person, project or show you want to write for. When things get hard your ability to focus on your original goal will help get you through the tough times.

Tip #3) Be great to work with. 

This is a tip that all of our most successful guests seem to say. No matter how talented you are, no one wants to work with a jerk. Get your attitude and ego in check, so that you will be the one that everyone wants to work with.

Want to know more? Have Comments? Questions? Post them below!

Find out more about Gerry at www.standupcomedyclass.com

And follow Gerry and Dickie on Twitter @GerryKatzman and @DickyEagan

iDalis Hosting

How to Become a TV Host, Part 1

How do you become a host..well that’s a loaded question.

Read more

Career Tips for Actors: Networking and Creating Relationships in the Entertainment Industry, part 1

Suzanne Lyons discusses the importance of networking and offers great information on creating relationships within the Entertainment Industry.

Minda Burr - Writing

Writing Great Characters for the Screen & Stage: Part Two – Comedy

By: Minda Burr

If you recall, in the last blog, we talked about how your main characters need to have a strong want and then they are forced to deal with all of the obstacles in the way of achieving their goal. We also talked about how every compelling character has distinct personality traits – a combination of strengths, weaknesses and quirks that are often in conflict with other characters.

This is also true of comedy – only more exaggerated – especially the conflict part of it. Basically, in your writing, there are three arenas of conflict that can add more humor to your story: The first is the character’s conflict with his circumstances or the world of the story. The second is his conflict with the other characters. And the third is the character’s conflict with himself..

One movie that illustrates all three arenas beautifully is “The Hangover” (the first one). Not only was it brilliantly written and uniquely structured by John Lucas and Scott Moore, but the characters were all so well defined with strengths, weakness and quirks, that combined with the outrageous circumstances they had to deal with, we are taken on one FUNNY ride.

So let’s break down the characters:

Doug (the groom) played by Justin Bartha is the only “normal” solid guy in the bunch, surrounded by his pals who embody varying degrees of dysfunction. So of course Doug is the one who gets lost so the more flawed characters can band together in their big “want” to FIND him before the wedding.

Then there’s Alan… Doug’s lovable loser future-brother-in-law (brilliantly played by Zach Galifianakis). Alan is the oddball “fish out of water” character amongst the other “cooler” guys, so half the comedy is their reactions to things Alan says and does… For example, when he and Doug go to pick up teacher Phil at his school for their bachelor party to Vegas, Alan covers his head and says, “Do you have to park so close” When Doug replies, “Why?” Alan says, “Because I’m not allowed within 200 feet of a school. Or a Chucky Cheese.” Alan continues to say and do one odd thing after another, but all he wants is to BELONG – to love and be loved. That’s why he puts what he thinks is Ecstasy into all their drinks for the toast that fateful night so they can all bond. And it turns out to be ruffies instead, which creates major havoc that it takes the entire movie to resolve.

Then we have the cool, handsome, bad boy teacher Phil – embodied to perfection by Bradley Cooper – who is of course the total opposite of Alan. Big tip: Pairing opposites is always a terrific opportunity for comedic tension. One of the greatest examples was the the pairing of the obsessive neat freak Felix with the total slob Oscar as roommates in “The Odd Couple”.… But let’s get back to handsome con man Phil. The first time we meet him, he is collecting $90 from each of his students for a field trip to the Planetarium that most likely costs $10 a ticket and we see him stash the money into an envelope that says VEGAS. Phil also whines about how being married and having a kid has ruined his life, “I die just a little every day…”

Then there is Stu the dutiful dentist, played by the amazing Ed Helms… Stu has no self esteem left after living with his ball-busting-bitch of a girlfriend Melissa for three years. She is one of the all time great movie nemesis – Another tip: there always needs to be at least one great nemesis in comedy. The “Hangover” has a several. The very first words that come out of Melissa’s mouth while he’s packing for Vegas is, “Don’t forget your Rogaine. And don’t forget to USE it!”

So in their ruffie induced night of debauchery, when Stu ends up marrying a stripper/hooker (Heather Graham) at a Vegas wedding Chapel, he is more afraid of Melissa killing him than the fact that he pulled out his own tooth to prove he’s a good dentist. Another great tip: Doing things that are totally out of character and that we don’t expect is also a great comedy booster..

One of my favorite characters is Syd, Doug’s future father-in-law played by Jeffry Tambor. As he hands Doug the keys to his prized Mercedes for the trip, he says with a wink, “What happens in Vegas, stays in Vegas – except Herpes – that shit comes home with you.” Another tip: Humor can be enhanced by taking old phrases or euphemisms (or even societal standards) and adding an odd or off color twist to it.

It was so brilliant how they cut from their toast on the roof before their night on the town – to the next morning, and they all have horrible hangovers, with their $4,000 suite in shambles., Stu’s front tooth is missing, there is a huge tiger in the bathroom, a baby in the closet, Doug’s mattress is missing, along with Doug and they can’t remember how any of this happened.

So we have the pleasure of watching them follow one clue after another, which creates one OBSTACLE after another for them to overcome — which also introduces one more outrageous character or nemesis to interact with. Remember that a humorous character is just a normal character that expresses his personality or quirks in an exaggerated way.

Ultimately, they all have to work together even harder to solve the mystery of Doug’s disappearance, which bonds them and forces them to grow as human beings (which is another important rule of comedy). Stu grows some balls and breaks up with Melissa at the wedding, “You’re just a bad person.” And the audience cheers. Marriage-phobe Phil is thrilled to see his wife and daughter, showering them with affection. And Alan gets to sing a happy song to his new pals, “You’re the three best friends that anyone could have, You’re the three best friends that anyone could have.” And we believe it!

Because comedies always have a happy ending.

When is the Best Time to Come to LA for Pilot Season?

Every weekend Agents and Managers are traveling to some city scouting for new kids and teens for pilot season. The top kids Agents will look at from 100 to 300 kids every week from now through the end of January. These are the brightest kids from around the country with parents who can afford expensive weekend jaunts to L.A. They are ready to come to Hollywood for early Pilot Season, meaning October, November and December. The green lighted projects begin casting these pilots early because they want the best actors – first! Every single top kids Agent and Manager will meet wonderful, cute kids with parents who will do what it takes to make it in Hollywood! The competition is fierce, so what can you do if you are not able to travel to Hollywood? Or, what can you do to compete with the kids and teens coming in if you are already an L.A. actor?

What can you do to help your child or teen compete?

  1. Encourage your child to build skills on a regular basis by staying in acting classes and private coaching. On-going training is the foundation for a successful Acting career. It essential to be on top of your game so you are ready to shine when you get those big auditions.
  2. Make sure your child is known to as many casting offices as possible by bringing your child to our Casting Director workshops to develop relationships with casting directors. This also includes sending postcards and booking announcements. Make sure Casting Directors know you are in the game! Developing and nurturing relationships with Casting Directors is vital for success in this industry.
  3. With early pilot season here and your Agent has over 1000 kids to represent; it is up to you to make sure that you don’t let them forget your child. It is vital to take proactive action by keeping your child on the top of the Agents list. This does not mean that you bombard your representation with unnecessary calls and emails; but keep in touch with them. If there’s a part that you feel you are right for, make sure they are sending you out for it. Don’t get lost in the shuffle.
  4. Surround yourself with a strong team! This includes your reps, coaches, and family. Without a strong team, you are a lone ranger and not the professional team player it takes to succeed.
To enroll in a class with Diane call 818.523.8283 or email actupdi@gmail.com
www.DianeChristiansen.com
www.ScenesforTeensBook.com