Producer Suzanne Lyons – An Inspiring Force!

If you ever have the opportunity to sit down with Suzanne Lyons, you will quickly realize that you are in the company of a powerhouse. She is as passionate about producing feature films as she is life, and she has the essential ability to bring the most joy to both. I was thrilled to have the opportunity to interview her for my acting class recently and was honored that she opened up and shared about her illness as a child. Despite countless surgeries and losing the sight in one eye, she has gone on to produce nine movies with more on the way. Suzanne Lyons accomplishes because of her positive attitude, fearlessness, and business savvy.

Why I chose to highlight Suzanne Lyons in the Actors section of Master Talent Teachers is because much of life is about overcoming. Her story of triumph against all odds is what life is made of when you go after something that matters deeply to you. Actors must be passionate about the study of being human and what motivates and drives us on. All great acting touches on the parts of us that make us who we are.

Videos from Suzanne Lyons on Career can be found on the career page of http://www.mastertalentteachers.com/category/careers/.

Filmmaking is very much about overcoming odds. It’s a miracle productions get completed, especially small films.

My Experience Directing and Casting

Recently the film I directed, Reign, won the New York International Film Festival. After winning both the Best Short Award and The Audience Award I was asked what I look for in actors. So I thought I would take a moment here and share with you my experience.

When I direct a project, be it film or theatre, there are always roles that are open that need to be cast, and my producing partners and I hold auditions. I love actors who are passionate about the role and bring a perspective that is fresh. I love the collaboration process. I want the shaping of the character to live under the skin of the actor. Often that shaping is about the depth of the life of the character.

Reign can be viewed at http://indieflix.com/film/reign-34365/#festivals-tab

In Reign, I cast a wonderful actress, Sheetal Sheth in the role of Fadwa, an Iraqi woman, who loses her family during a firefight in the middle of the desert. Sheetal and I had many discussions regarding her character and the direness of her situation. What attracted me to cast her was her passion for the role, her experience and training. I knew that Reign was going to be a rigorous shoot. We shot the film 52 miles North East of Palm Springs outside of 29 Palms, in a desolate desert terrain. The conditions were pretty tough. The women had to take a 15-minute ride down to base camp just to go to the bathroom and all the women were such team players, none of them ever complained. It was in February, extremely cold without the sun and hot with it, the wind was harsh and constantly blowing the dry desert sand. Now, I write all of this with a smile because I love directing so much, I was far too involved in the gig to concern myself with any of these challenges.

We had an A-list crew (for our budget) so we were cutting corners anywhere we could. I knew that anyone I cast would have to know how to concentrate and deliver a depth of emotion regardless of the pressure of filmmaking and the challenges of the conditions. It truly was a passion project for myself as well as everyone involved.

We shot Reign on 35 mm film, which is beautiful but expensive. I knew I would have to get all of my performances in one or at the most, two takes. I had a lot of faith in Sheetal. Her process was flawless and her preparation served her in the field. I’ve worked with both non-actors and trained actors. I feel that it is more advantageous to work with the trained actor because they have invested in their skill and understand the process. But the most important part of working with an actor is that we both feel a positive connection and both care about the project. I think my favorite aspects of a great actor is their passion, skill, and desire for perfection within themselves to bring their best to the work. I think all great artists have that.

Kimberly Jentzen

Reign has gone on to win “Best Direction” and “Best Casting Director” from the Actors Film Festival, “Best Short Film” from the Louisville International Film Festival, “Best Short Film” from the New York International Film Festival, “The Audience Award” from both the Louisville International Film Festival and the New York International Film Festival and the “Award of Merit” at the Best Shorts Competition.

Videos from Kimberly Jentzen on Acting can be found in the archives of Actors

Kimberly Jentzen has been teaching actors for more than 20 years, she has won the Backstage “Best Acting Coach Award” and “Favorite Teacher Award” multiple times, and is regarded as one of the top acting coaches and teachers in Los Angeles.

Script Analysis with Kimberly Jentzen

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Inside the Industry with Casting Director Billy DaMota and Kimberly Jentzen

Billy DaMota has depth. He’s the kind of casting director that really cares about the actor. My class spent a few evenings with him and we really enjoyed his take on acting. Read more

Listening Part 3: Give and Take and Raising the Stakes

Listening Part 3 – Give and Take and Raising the Stakes by Kimberly Jentzen

In this video, Kimberly Jentzen guides actors, Brianne La Flair and Roman Banfield, as they explore the acting tool: Listening. Some acting classes in Los Angeles focus entirely on this skill. Listening is paramount in acting, and understanding how to inspire the delivery of your lines through the process of listening to your scene partner is vital. Much of what we see in film and television acting incorporates the ability to listen, and then react naturally and instinctively. There are so many ways we listen, but the most important awareness the actor must have is to take note of what motivates the character to listen.

We are motivated to listen when there are consequences that matter deeply to us.

In every drama and comedy there is always something at stake; something that could be taken from the character or something the character needs that they are fighting to get. There may be news your character is waiting for, or actions, or results that will satisfy your character’s desires and what they are hoping to achieve in the scene.

To master listening, listen for what your character wants to hear or feel from the other character… Listen with a hunger to get something that is vital to your happiness or survival.

Characters have a range of desires. Some want attention, affection, satisfaction, approval, money, sex, power, control… any one of these could be the very objective played for your next audition or performance. Or, it could be order, that your character needs, or redemption, forgiveness, a meal, a friend, etc. It could be anything that is true to the script and the material you are working. Use your imagination and study the character. Eventually you will discover the character’s desire or need.

Every character wants something from their scene partner that is intrinsic; something that will help them reach their ideal life.

A chapter in my book, Acting with Impact: Power Tools to Ignite the Actor’s Performance, is dedicated to this power tool. I like to call the objective a “power tool” too, because it is one of the parameters that dictate the give and take with your scene partner. And actors, you know how important that is! And new actors, if you didn’t, hopefully you know now!

In the video I mention the performances from the film Sophies Choice, directed by Alan J. Pakula. Sophie, (Meryl Streep) is haunted by her past, which is revealed in the scene in which she opens up to Stingo (Peter MacNicol). Ashamed and still emotionally tortured by her memories, she bares the horrors of how she was sent to a concentration camp and how she survived. Sophie desperately wants forgiveness for her actions. In the scene, Stingo wants to take her pain away and to comfort and reassure her.

In the Oscar award-winning film, Forrest Gump, directed by Robert Zemeckis, Forrest (Tom Hanks) wants love (the girl of his dreams), Jenny (Robin Wright). But Jenny wants to escape and find the peace she has never known which was stolen from her when she was a little girl. Mrs. Gump (Sally Field) wants her son Forrest, to have a normal life. Lieutenant Dan (Gary Sinise) at the top of the film, wants to die and follow in his family’s footsteps as a true soldier who died for his country.

Each character cares deeply for their goal, regardless of how difficult it might be to get it.

A character’s objective doesn’t change unless a pivotal event happens that shapes the character’s decisions and actions. Take note, that in most films, each character’s objectives are very unique and different from the other. It’s important to choose a strong and active objective that is born out of and aligns with your character in the script. It also is advised to know how to break down a script and analyze it to discover the strongest and most active objective. And yes, I will be bringing you an introduction to script analysis soon! Please visit www.MasterTalentTeachers.com often!

Kimberly Jentzen Listening Part 2

Listening Part 2: An Actor’s Workout

Listening Part 2 – An Actor’s Workout
By Kimberly Jentzen

Kimberly Jentzen guides Roman Banfield and Brianne La Flair in an Actor’s Workout using the play Danny and the Deep Blue Sea by John Patrick Shanley. Read more

Acting – The Power and Magic of Listening

Kimberly Jentzen presents a new and dynamic series: The Power and Magic of Listening, Part One. The following is an excerpt from her newly released book, Acting with Impact: Power Tools to Ignite the Actor’s Performance.
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The Four Levels of Acting: Becoming a Master

When I was an actor, at different stages in my career and artistic growth I often wondered what skill level I was at in my evolution as an actor. Though teachers, directors, and my audience would often deliver positive feedback, which gave me a nice boost of confidence, I also knew that I struggled with technique and really wanted to own my craft. I came upon a study of the craftsman’s development and found it identical to the development of the artist. The following lesson is the journey from Novice to Master.

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