Headshots On-Location

How to Prepare for Your On-Location Headshot Session

On-location headshots are very popular right now – and with good reason! They can look very natural and offer multiple different background options in one session. If your photographer has suggested an on-location shoot, here are five things you can do to prepare to make your photo shoot go as smoothly as possible:

  1. Plan, plan, plan. This goes without saying, as you should always plan your outfits for a photo shoot, but in the case of on-location shoots it is even more important. It can be inconvenient to dig through a suitcase full of clothing without anywhere to hang them or spread them out, so know in advance what outfits, accessories, and makeup you will want to use and group them together in an easy-to-access way.
  2. Wear comfortable shoes. People often don’t think about it, but your shoes will rarely be seen in your headshots! It’s important to be able to walk around comfortably so you have as many location options as possible, so make sure to wear comfortable shoes, or at least bring a pair of slip-on shoes that you can change into between locations.
  3. Wear an undershirt. With location shoots there is not always a convenient bathroom to change in between every look, so you will save yourself a lot of time and energy if you wear an undershirt or sports bra that you can keep on and change your top without needing too much privacy.
  4. Bring a mirror! Your photographer may bring one, but they may not, and you’ll probably want to be able to check your hair and makeup between photos, especially if you plan to change anything at all during the shoot.
  5. Bring everything in an easy to carry bag or roller-bag. Don’t just bring your outfits loose on hangers – you will need to set them down while you are being photographed, and there may not always be somewhere convenient. It’s much nicer to bring everything in a garment bag or neatly packed in a rolling suitcase so you will be ready to go between photos.

I hope this helps you feel a little more prepared for your on-location headshot session – and remember, as with every photo shoot, the most important thing is to relax and enjoy yourself!

Goal Setting, Part 3

Goal Setting, Part 3: What Do We Do When We Get Stuck?

It doesn’t matter if you’ve been in your career for a year or for twenty years… we all get stuck from time to time. Maybe it’s a rejection that cuts a little too deep, the fear of not knowing how to do something, the fear of failure, the fear of success, a conversation in our head that tells us we can’t, or that the time’s not right, or that we’re too old, or the economy is bad. Whatever it is for you, it feels real and true and most importantly, it stops you!


Let’s talk about goal setting. The best goals, intentions, timelines, strategic plans… they all go out the window when we’re stuck. What do we do? How do we handle it? How do we get back on track? And how do we get back on track quickly?

I had a friend who, during an audition, had a bad experience where the director was very rude to her. It was three months before she went on another audition. My film partner and I had a similar situation happen to us. We had successfully produced films in other countries and were planning to produce our first film here in the U.S. We did a fantastic business plan and movie poster, had a great investor’s package, had everything organized and were ready to go out to investors. That was December of 2004. All of a sudden it was March 1st 2005! I had gone unconscious about the project and didn’t even know that I was stuck. The fear of raising the money stopped me cold!

I think getting stuck from time to time is inevitable. The question is, how do we deal with it and how do we get back on track in record time. Here are a few ideas from some of my entertainment industry guests who joined me for my MTT video. They’ve experienced being stuck first hand and they have some valuable advice for us.

CREATE A VISUAL DISPLAY: CEO of Now Casting, Bob Steward, feels that having your goals clearly plotted and broken down into a timeline with milestones is key. “But most importantly,” he says, “have it clearly visible at all times. That way you’ll stay conscious and engaged in your career and you’ll notice if something is wrong. So you’ll find out ‘oh, my foot’s stuck’ as opposed to ‘holy cow, I’m knee deep in quicksand.’

KEEP YOUR EYE ON THE PRIZE: Actress Mary Stein says that for her the best and fastest way to get unstuck is a daily practice of staying in touch with her vision. “Stay focused on the big picture,” she says, “and keep your eye on the prize.”

FACT VERSUS FICTION: Director/Writer Mark Rosman suggests that we look at the facts. “When I notice that I’m stuck,” he says, “I look at what is the story that I’m telling myself and I write it down. For example, after a producer called and said he didn’t want to option my script, I thought, oh, I’m not talented enough… I can’t write dialogue, and a whole ton of crazy things went through my mind. I wrote the long list on a piece of paper and then I compared it to the facts. The fact was, that producer didn’t want my script… period! That was the fact. So instead of looking at my interpretations of what I made it all mean, I decided to just look at the facts. All the drama disappeared in an instant and I got back on the phone and started pitching again.

HAVE AN ACCOUNTABILITY PARTNER: Comedy Central Executive Kris Emery suggests that we have a buddy that we stay in touch with on a regular basis. Kris and her accountability partner speak (or blog) daily or weekly supporting each other with their goals and all the ups and downs that go along with reaching them. And they’ve been doing this for over 20 years!

IT’S A GOOD THING! IT MEANS YOU’RE GETTING BIGGER:
So says TV and feature writer Alison Lea Bingeman. She believes that “if you’re stuck, that means that you are breaking through to some new ground… some new level. She says that “there’s something new that you’re learning and that you’re processing and that you’ll come out on the other side with a lot more knowledge and a lot more wisdom.”

As I’ve mentioned, we are all going to get stuck from time to time, whether from internal reasons or external sources. We’re human. It happens. The question is… for how long are you willing to stay stuck? Minutes, days, weeks, years? How about seconds? Wouldn’t that be a whole lot better? Let’s cut down, way down, on the time we spend being stopped and stuck. Start using these suggestions and get masterful at getting back on track immediately.

Mastering Dialects

The Secret to Mastering Any Dialect

The Standard/Neutral American Dialect, The Minnesota Dialect, The Southern Dialect, The British Dialect, The Australian Dialect, The New York Dialect, The German Dialect, The Texas Dialect, The British South African Dialect, and The Irish Dialect with Donald The Dialect Coach (www.DonaldTheDialectCoach.com)

How to Make a Dialect Believable, Part 2

How to Make a Dialect Believable – PART 2

In today’s video, Donald The Dialect Coach teaches you what to focus on when learning a dialect so that it will be believable. He also shows you how to keep your line delivery from being choppy while performing with a dialect. Part 2.

How to become a Recurring Character on TV

How to become a recurring character on Television: An interview with Jennifer Hall

Everyone wants to become a “regular” on any show or series that they’re a part of.  But how do you make the leap?  How do you take a small part and parlay it into a starring role?

Actress Jennifer Hall was on her way to San Francisco, to quit acting, when she got a call to play a one-time guest star role in the HBO series, “Unscripted”.  She prepared for the part in the same way that she describes in this video and ended up becoming one of the three leads of the series.

The same thing happened when she played (what was supposed to be) a small role on the Will Arnett/Maya Rudolph series “Up All Night”.  Her “small role” ended up lasting the entire season. And the same thing happened to her on the soap opera “All My Children”. 

What kind of philosophy and technique is Jennifer using to generate these exciting results? 

  1. Be Exactly Who You Are. “I auditioned 63 times before I booked my first role.  At first, I tried “giving them (the casting people) what I thought they wanted”.  But then, at an audition, someone gave me some advice- they said “If you’re a can of tomato soup- then be the best can of tomato soup you can be.  Don’t try to be Vegetable or Chicken Noodle.  Just learn to bring the maximum amount of YOU that you can bring to any role.”  It was a pivotal moment for me because instead of trying to be glamorous or sophisticated in my acting- I started bringing the goofy, awkward, weird person that I am with my friends into my work.  And that’s when I started booking parts! Turns out, people like tomato soup!”
  2. Make something up about your character that excites you. Often writers focus on the lead roles, so when it comes to playing the smaller parts, it’s up to us to create the exciting inner-life of the character.  For for example, it might not be in the script, but in your imagination maybe your character has a secret trip planned to Hawaii- or maybe a crush on one of the other characters.  As long as it doesn’t contradict the script and helps to serve the overall story, creating a backstory for your character, that makes your character more fun and exciting to play, can be a great way to make that character come to life!
  3. Don’t be afraid of sucking. “Sometimes, when you feel like you’re sucking it really just means that you’re outside of your comfort zone. And very often, that isky-feeling is a sign that you’re onto something useful and exciting. So let yourself suck every now and then.”

Do you have a comment or a question for Jennifer, Gerry, or MTT staff about booking, comedy and acting?  Please post it below and please follow Jennifer at https://twitter.com/TheJenniferHall and sign up for Gerry’s newsletter at http://www.standupcomedyclass.com/.  Thanks!

Making Dialects Believable

How to Make a Dialect Believable – PART 1

In today’s video, Donald The Dialect Coach teaches you what to focus on when learning a dialect so that it will be believable. He also shows you how to keep your line delivery from being choppy while performing with a dialect. Tune in next time for Part 2.

Conversation with Tiffany Maher pt 3

Conversation with Tiffany Maher, Part 3

Master Talent Teacher Joe Tremaine has a conversation with the recent LA transplant, Tiffany Maher, about her already blossoming dance career and the move to LA. Part 3 / 3