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Diane Christiansen Kids & Teens

Fall in Love With the Process of Becoming Great

By Master Acting Teacher ~ Diane Christiansen

Why did you become an actor?  This is the all-important question.  It is a question worth revisiting from time to time in order to remind ourselves of our purpose as actors.  We do not do this for fame or fortune, for acknowledgment or accolades, or for other people.  We just want to be great actors.  Of course we all know great acting when we see it, but what does it mean to be a great actor?  And no, you’re not allowed to just shout out, “Meryl Streep,” without thinking about it!  A great teacher and casting director once told me that the best performances boil down to two simple questions: “Do I believe this person?” and “Do I care?”  Be sincere and be committed.  That’s it.  Simple enough to understand, but not so easy to deliver.  In order to deliver greatness, we must dedicate ourselves to the process of accomplishing sincerity and commitment in every performance, as well as in every day of our lives.  One without the other will invariably fall short of the mark.  Imagine believing an actor’s performance, but not being moved in any way.  Perhaps the level of commitment to a chosen action is not strong enough to stir your emotion.  Alternately, imagine it’s not for lack of a strong or committed choice that the performance falls flat, but rather lack of sincerity in that choice.  Perhaps the action is forced and contrived instead of occurring organically in the moment. 

Naturally, it’s easy to talk about the importance of sincerity and commitment in our work, but these tasks become especially difficult to accomplish given the fabricated worlds we live in on a set or on a stage.  Well my friends, here is the Holy Grail: We want to do great work and to be great actors, but focusing solely on being great is missing the mark.  The process is the prize. Greatness is merely the product of faithful dedication to process.  Falling in love with the process is like choosing to do long division over rote memorization or using a calculator.  It’s more challenging, but you can clearly tell whether a person really knows what they’re doing.  Like watching Meryl Streep.  So if you want to be great, then forget about greatness and dedicate yourself to the process of being sincere and committed in every role.  Do the work it takes to get you there.  Research.  Train.  Feel.  Observe.  Study.  Practice.  Recall.  Experience.  Develop a process that works for you so that you may fall in love with it, and in so doing, discover your own greatness.  

Booking TV Commercials

How does one book TV Commercials? Well, you’ve got to start with training and become a good actor! Master Talent Teacher Carolyne Barry has compiled this video to help take you through the process.

3 Tips For Comedy Writers – with late-night television writer Dicky Eagan

When it comes to writing for late-night, Dicky Eagan knows what it takes.  In this video, the head writer of “Last Call with Carson Daly,” who has also written for “Lopez Tonight,” “The Wayne Brady Show” and many others, gives away 3 powerful secrets to having a successful career in comedy, in writing and in any part of the entertainment field.

Tip #1) Surround yourself with people who are good at what you do.  

If you want to get better, then hang around people who are even better than you are at your chosen field – they will challenge you and as a result, you will improve.

Tip #2) Get specific with your goals.  

Don’t just say “I want to be a writer.” Imagine and envision exactly what person, project or show you want to write for. When things get hard your ability to focus on your original goal will help get you through the tough times.

Tip #3) Be great to work with. 

This is a tip that all of our most successful guests seem to say. No matter how talented you are, no one wants to work with a jerk. Get your attitude and ego in check, so that you will be the one that everyone wants to work with.

Want to know more? Have Comments? Questions? Post them below!

Find out more about Gerry at www.standupcomedyclass.com

And follow Gerry and Dickie on Twitter @GerryKatzman and @DickyEagan

iDalis Hosting

How to Become a TV Host, Part 1

How do you become a host..well that’s a loaded question.

Read more

Career Tips for Actors: Networking and Creating Relationships in the Entertainment Industry, part 1

Suzanne Lyons discusses the importance of networking and offers great information on creating relationships within the Entertainment Industry.

Minda Burr - Writing

Writing Great Characters for the Screen & Stage: Part Two – Comedy

By: Minda Burr

If you recall, in the last blog, we talked about how your main characters need to have a strong want and then they are forced to deal with all of the obstacles in the way of achieving their goal. We also talked about how every compelling character has distinct personality traits – a combination of strengths, weaknesses and quirks that are often in conflict with other characters.

This is also true of comedy – only more exaggerated – especially the conflict part of it. Basically, in your writing, there are three arenas of conflict that can add more humor to your story: The first is the character’s conflict with his circumstances or the world of the story. The second is his conflict with the other characters. And the third is the character’s conflict with himself..

One movie that illustrates all three arenas beautifully is “The Hangover” (the first one). Not only was it brilliantly written and uniquely structured by John Lucas and Scott Moore, but the characters were all so well defined with strengths, weakness and quirks, that combined with the outrageous circumstances they had to deal with, we are taken on one FUNNY ride.

So let’s break down the characters:

Doug (the groom) played by Justin Bartha is the only “normal” solid guy in the bunch, surrounded by his pals who embody varying degrees of dysfunction. So of course Doug is the one who gets lost so the more flawed characters can band together in their big “want” to FIND him before the wedding.

Then there’s Alan… Doug’s lovable loser future-brother-in-law (brilliantly played by Zach Galifianakis). Alan is the oddball “fish out of water” character amongst the other “cooler” guys, so half the comedy is their reactions to things Alan says and does… For example, when he and Doug go to pick up teacher Phil at his school for their bachelor party to Vegas, Alan covers his head and says, “Do you have to park so close” When Doug replies, “Why?” Alan says, “Because I’m not allowed within 200 feet of a school. Or a Chucky Cheese.” Alan continues to say and do one odd thing after another, but all he wants is to BELONG – to love and be loved. That’s why he puts what he thinks is Ecstasy into all their drinks for the toast that fateful night so they can all bond. And it turns out to be ruffies instead, which creates major havoc that it takes the entire movie to resolve.

Then we have the cool, handsome, bad boy teacher Phil – embodied to perfection by Bradley Cooper – who is of course the total opposite of Alan. Big tip: Pairing opposites is always a terrific opportunity for comedic tension. One of the greatest examples was the the pairing of the obsessive neat freak Felix with the total slob Oscar as roommates in “The Odd Couple”.… But let’s get back to handsome con man Phil. The first time we meet him, he is collecting $90 from each of his students for a field trip to the Planetarium that most likely costs $10 a ticket and we see him stash the money into an envelope that says VEGAS. Phil also whines about how being married and having a kid has ruined his life, “I die just a little every day…”

Then there is Stu the dutiful dentist, played by the amazing Ed Helms… Stu has no self esteem left after living with his ball-busting-bitch of a girlfriend Melissa for three years. She is one of the all time great movie nemesis – Another tip: there always needs to be at least one great nemesis in comedy. The “Hangover” has a several. The very first words that come out of Melissa’s mouth while he’s packing for Vegas is, “Don’t forget your Rogaine. And don’t forget to USE it!”

So in their ruffie induced night of debauchery, when Stu ends up marrying a stripper/hooker (Heather Graham) at a Vegas wedding Chapel, he is more afraid of Melissa killing him than the fact that he pulled out his own tooth to prove he’s a good dentist. Another great tip: Doing things that are totally out of character and that we don’t expect is also a great comedy booster..

One of my favorite characters is Syd, Doug’s future father-in-law played by Jeffry Tambor. As he hands Doug the keys to his prized Mercedes for the trip, he says with a wink, “What happens in Vegas, stays in Vegas – except Herpes – that shit comes home with you.” Another tip: Humor can be enhanced by taking old phrases or euphemisms (or even societal standards) and adding an odd or off color twist to it.

It was so brilliant how they cut from their toast on the roof before their night on the town – to the next morning, and they all have horrible hangovers, with their $4,000 suite in shambles., Stu’s front tooth is missing, there is a huge tiger in the bathroom, a baby in the closet, Doug’s mattress is missing, along with Doug and they can’t remember how any of this happened.

So we have the pleasure of watching them follow one clue after another, which creates one OBSTACLE after another for them to overcome — which also introduces one more outrageous character or nemesis to interact with. Remember that a humorous character is just a normal character that expresses his personality or quirks in an exaggerated way.

Ultimately, they all have to work together even harder to solve the mystery of Doug’s disappearance, which bonds them and forces them to grow as human beings (which is another important rule of comedy). Stu grows some balls and breaks up with Melissa at the wedding, “You’re just a bad person.” And the audience cheers. Marriage-phobe Phil is thrilled to see his wife and daughter, showering them with affection. And Alan gets to sing a happy song to his new pals, “You’re the three best friends that anyone could have, You’re the three best friends that anyone could have.” And we believe it!

Because comedies always have a happy ending.

Minda Burr Writing

Writing Great Characters for the Screen & Stage: Part One

So what comes first – the development of fascinating and compelling characters? Or creating the world (or the story) in which the characters participate? It can work both ways, but you have a big advantage if you start with some unique and complex characters to begin with.

So, let’s jump in and look at a great movie that has some really juicy characters – “Silver Linings Playbook.” The screenplay was adapted by David O’Russel from a novel written by Matthew Quick. And, it’s the first time in 32 years that the lead actors got nominated for the Oscar in all four acting categories: Bradley Cooper for best actor, Jennifer Lawrence for best actress, Robert DeNiro and Jacki Weaver for best supporting actor and actress. I strongly believe it’s because of the “characters” they got to embody and LIVE in, as well as interact with each other. Yes, all brilliant performances but it was delivered by a writer and director who created such complex, highly provocative, multi-layered, unpredictable, RAW, compelling and flawed, but oh-so-human characters to begin with.

There is NO story without these characters to propel it! If your characters are well defined enough they will help you inform and shape your story. They will start telling you how they want to behave, how they want to EXPRESS themselves and how they want to deal with challenges in the way of achieving what they want. Because every good character has a big “want”, something they want to accomplish, then they have to deal with all the obstacles and challenges in the way of them achieving that. So let’s take a look at these characters for a moment to see where all this “magic” stemmed from.

Let’s see, how complex can we make Bradley Cooper’s character Pat… hmm?? Let’s not just make him complicated – let’s make him bi-polar as well as obsessive compulsive! He has had to deal with emotional ups and downs his entire life, with WHITE KNUCKLE control of his anger, until he finds his wife in the shower with another man. BOOM, all his pent up rage explodes in psychotic fury and he almost kills his wife’s lover. That one outburst of fury destroys every aspect of his life; he loses his teaching job, he loses his home and he loses his wife. And that is all established at the beginning of the movie as he is getting discharged from a psychiatric ward!

So, naturally, he becomes obsessed with getting his emotions under control, getting healthy physically and emotionally, to focus on the “positive” and find the silver linings, so that he can get his life in order, so that he can get his wife NIKKI back. That becomes his driving force – his big “want”– Nikki, Nikki, Nikki. All that while dealing with the fact that he is bi-polar and not taking his meds. That character is just RIPE for one interesting challenge after another.

Since he is down and out, where else can he go to start his life all over? Into his parents house! So to add as much discomfort and conflict as possible, let’s make sure the father (Robert DeNiro’s character) has his own unique quirks and obsessions that keep him from being emotionally available to his complex son growing up. He’s obsessed with the Philadelphia Eagles and is a compulsive bookmaker who is no longer allowed in the stadium because he got banned after engaging in too many rage-filled fights at the football games. Like father, like son. Great set up. It’s also quite profound to see the walls between them gradually collapse as they bond in other ways, besides watching Eagles games together.

While Pat is obsessed with getting Nikki back – Life is making other plans… In walks Jennifer Lawrence’s character Tiffany, who has also dealt with emotional issues her entire life, along with the medications that go with them. She has no censor, says exactly what’s on her mind at ALL times, has even more rage and unpredictable behavior than Pat does, which of course scares him as much as it intrigues him. He is equally drawn and repelled at the same time, which always makes for a great love story, doesn’t it? If it was too easy, it wouldn’t be as fascinating to watch would it?

Many of the best writers draw from their own guts and real life. They not only know how to express their deepest feelings and desires, but they also know how to shine the light on their darkest thoughts and fears, as well as their own inadequacies and very human FLAWS. And Matthew Quick, who wrote “Silver Linings Playbook”, is no exception.

I am going to share a little excerpt from an interview with Mathew:

AND I QUOTE: “I always say that artists live on the fringe. I was a very good high school English teacher and I was a very good counselor of teenagers. But inside I was extremely depressed, partly because I wasn’t doing the one thing I wanted to do, which was to write. The other part was that there were a lot of weird quirky things going on inside of me that I didn’t let show. But when I started to write, I started to explore my psyche and all the things that make me Matthew Quick. And part of that was the fact that I do deal with depression. I do have anxiety issues. I can get overwhelmed with emotions. I had always been embarrassed by those traits but it’s also what fueled my writing. And the more that I came to understand that, most of my heroes who are novelists like Hemingway or Kurt Vonnegut, these are people who know the wild ups and downs. These are quirky people. These are people who are not mainstream. That was a revelation to me.”

He also lived for a spell with his parents and his father was obsessed with the Philadelphia Eagles, and in “Silver Linings Playbook” he used all that as the foundation of his story and then added all these extra elements to the characters and the story line in a fictitious way to make the characters even more complex and compelling and ripe for conflict. In my writing workshops, we are unearthing the most fantastic, RAW and deeply human and sometimes dark stuff that comes from a writer’s soul. We are mining for personal Gold and I encourage you to do the same thing.

You need to answer some important questions when creating a character:

  1. Who are they? What is their back-story? Meaning, what is their history that has helped define their personality and shaped the world they live in?
  2. What quirks or inadequacies do they have that make them flawed and very human?
  3. What talents, expertise or confidence do they have that gives them courage to overcome obstacles?
  4. What is their relationship with the other characters and the challenges that they have to deal with in order to have a healthy or loving relationship with them?
  5. What is their big “want” or desire they have to achieve in the course of the story?
  6. What are the main obstacles in the way of achieving it? This is where you want your IMAGINATION TO FLY.
  7. What are some unique and UN-predictable ways in which they can accomplish their goal based on the attitudes, beliefs and behavior of that character??

This time we are focused on drama, next time in Part two of “Writing great characters” we’ll focus on comedy. But comedy needs complex characters and their conflicts as well.

If you haven’t yet, I also encourage you to watch my first two MTT videos about “How to Tap Into your own Personal Creative Genius” and “How to Cultivate Great Story Ideas”. They will also help you create great Characters for whatever you’re writing.

If you want to know more about my Writing Mastermind groups or private coaching, the info is down below… So until next time, wishing you all the best and have a beautiful day.

Minda Burr
www.mbwritingworkshop.com
310-923-2726